I strive to fuse my passion for the natural environment with ceramics - each finished piece is a unique clay microcosm.

The process I use to bring this desire to fruition is painstaking.  The piece is first thrown on an electric wheel using a fine porcelain clay.  The base is trimmed when it has dried to the leatherhard stage and is then ready to proceed to the carving stage.

Stage 1: Sketch
Process 02
First, I evaluate the piece and lightly sketch the layout with a pencil.

Stage 2: Set Design
Process 03
Once satisfied with the design, I set it with the pencil by incising lines up to 1/8” deep.


Stage 3: Rough Carve
Process 05
Next, I carve away the negative side of the design down to the pencil depth – less when elements overlap.


Stage 4: Wet Sponge
Process 07
Using a wet sponge, I smooth out the carving marks going lightly over the edges so as not to lose too much detail.


Stage 5: Clean Up
Process 11
I then clean up any excess clay from the edges using the flat tip of a dental tool.


Stage 6: Detail
Process 16
I begin adding detail and further develop layered effects to achieve a sense of depth.
The piece may be very dry at this point and great care must be taken to avoid cracks.


Stage 7: Medium Sponge
Process 18
Using a much drier sponge I blend away the finer carving marks while retaining as much detail as possible.


Stage 8: Final Carving/Detail
Process 20
The final carving stage includes any remaining edge cleanup and details.
The eyes are added at this point in order to retain crisp detail in them.


Stage 9: Light Sponge
Process 19
I use a lightly wet sponge and dab all over the piece to develop a consistent orange peel texture.


Stage 10: Sign & Date
Process 29
All that remains now is the final touch…signing and dating the piece.


Bisque Firing • Glazing • High Firing
The carved piece is allowed to reach the bone dry stage before it is bisque fired. Afterwards it is ready to glaze
.

Process 31
The footring receives a coating of wax to resist the glaze.

Process 34
The interior is poured and allowed to dry.

Process 36
The piece is inverted and glaze is applied using an airbrush.

Process 38
The glaze thickness is monitored closely to ensure an even application.

Process 42
The piece is then flipped over and finished.

Process 44
The sprayed vessel is now ready to proceed to the final firing stage.

Click here to view the finished piece.

 



 
 
 
SeaEmerald Studio © Jason Rees Jones, 2008. All Rights Reserved.